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Winner Victoria - 1999 Australian Marketing Institute Awards
for Excellence.
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Winner Bronze - 1999 Australian Direct Marketing Association
Awards.
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Finalist - 1999 Australian Marketing Institute National Awards
for Excellence.
Dramatic
Improvements and
ARTS Australia
conducted the Direct Marketing of the 1999 subscription Theatre
Season subscription campaign for
Geelong
Performing Arts Centre (GPAC).
GPAC offers its customers flexible combinations (4, 6 and 10) of
shows from national companies like the Sydney and Melbourne Theatre
Companies. Because Subscriptions can comprise from four events up to
ten, a single subscription purchase can involve a large number of
tickets, particularly given that subscriptions are normally bought
in pairs.
Subscriptions to the Theatre Season peaked in 1997 at nearly 800.
The market for Subscriptions has since shown all the signs of
maturing in an increasingly competitive market for the leisure
dollar, from 1996 to 1998 subscriptions declined by over 20%.
The purchaser
database contains some 45,000 adults, a good penetration over
eight years of the population for performing arts consumption.
In excess of 20,000 have not purchased any more tickets for over
three years. Analysis found that 45% of these lapsed attendees
were still resident in Geelong - but had ceased to attend any
events at GPAC.
Of the 25,000 recent customers, about 1/5 of the customers are
purchasing at least 2/3 of the tickets and buy four times more
seats a year than individuals - a good approximation of Pareto's
Law in action.
The customer records in the ticketing database were categorised
with a variety of indices for the period 1996-1998 to elicit a
better understanding of the recency, frequency, value and volume
of purchase.
A file of 9,280 customer records was supplied to
Pacific Micromarketing for geodemographic analysis
using MOSAIC. This information was used to inform the targeting,
positioning and offer for the subscription season direct
marketing.
The direct marketing was then targeted to 4,500 prospects as
follows:
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High Priority (1,300 targets)
a. Single Subscription event purchasers (800)
b. Attendees of non-professional events (500)
- Strong Attenders
(3,200 targets)
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Overall, 1999 recorded a 38% increase in subscribers, 818 for the Theatre Season and 162
for the add-on 'Made to Move' dance subscription.
The results for the High
Priority group was 11% and the Strong Attender group 5.1%.
The attrition rate was
arrested with 1/3 not renewing in 1999, down from around 50%
previously with over 21% new subscribers.
In addition, population
areas of great potential for the future attendance were
identified for development activities.
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The
Geelong Performing Arts Centre 1999 Subscription Campaign
was developed with Ticketing Transaction and
Geodemographic Analysis developed as part of the National
Market Research And Development For The Regional
Performing Arts Industry funded by the Audience
Development Division of the Australia Council. |
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